ISSUE
2: (Winter, Dec/Jan 06)
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The
Scythians
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Master
Photographer Christiane Slawik
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Sculptor
Maureen Love
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Equine
painter Michelle Grant
Breed
Profile: The Friesian
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The
Friesian: A Bit Philosophic
by
Shannon Southard
Senior
Staff writer
Noted for their exquisite beauty and romantic presence, this ethereal horse
is often the object of little girl dreams and fairy tales spun of castles,
knights, and their bold gallant chargers. Glistening cobalt black
coats envelope no ordinary horse flesh, but call attention to a monarch
among equines, royalty on four legs, exuding the presence of a king.
Fundamental. Favored. Friesian.
Often born of necessity, breeds of horse emerged all over the world as
companions in toil with their human masters. Occasionally, a fortunate
few rise among the utilitarian ranks, surfacing like cream from milk, ready
to be skimmed and prepared for a life not ordinary.
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Breed Profile: The Friesian |
The
Scythians: War, Horses, and Art of the Steppes Nomads
by
Lyne Raff
Editor/Publisher
At the time that it happened, the skill of riding represented an unprecedented
leap forward for mankind. With a speed previously unknown, a whole
new way of existence emerged; people once accustomed to village life, or
to the unchanging patterns of life bordered within the hard-won rows of
subsistence farms, found their horizons opening like an infinity before
them. Thanks to the horse, Man could now move quickly, whenever and
wherever he wished. And that freedom gave early riders not only a
profound new mobility, but a bold new attitude. They were reborn
from their previous lives as subsistence farmers into advanced--and quite
infamous--rulers of their domain.
The age of the horsemen had begun.
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Ancient Horse Cultures: The Scythians |
Maureen
Love Calvert
The
First Lady of American Equine Ceramics
by
Nancy Kelly
As far back as she can remember, the only thing Maureen Love wanted to
be was an artist. Her mother painted porcelain detail work, and encouraged
Maureen to follow her dream. As a young girl, Maureen recalls creating
a goat out of clay that she had dug from the backyard, and her mother kept
it on the kitchen window sill on display. Some of her early influences
came from the western art of Frederick Remington. She loved to look
at the paintings of cowboys, horses, and American Indians in many different
scenes and poses.
During High School,
Maureen took every art class she possibly could, while taking just the
bare minimum of the other classes to get her diploma. She claims
she didn't enjoy the math classes, but was at her best in art.
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Maureen Love Calvert |