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ISSUE
2: (Winter, Dec/Jan 06)
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The
Scythians
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Master
Photographer Christiane Slawik
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Sculptor
Maureen Love
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Equine
painter Michelle Grant
Breed
Profile: The Friesian
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The
Friesian: A Bit Philosophic
by
Shannon Southard
Senior
Staff writer
Noted for their exquisite beauty and romantic presence,
this ethereal
horse is often the object of little girl dreams and
fairy tales
spun of castles, knights, and their bold gallant
chargers.
Glistening cobalt black coats envelop no ordinary
horse flesh,
but call attention to a monarch among equines,
royalty on
four legs, exuding the presence of a king.
Fundamental. Favored. Friesian.
Often born of necessity, breeds of horse emerged all over
the world
as companions in toil with their human masters.
Occasionally,
a fortunate few rise among the utilitarian ranks,
surfacing
like cream from milk, ready to be skimmed and
prepared for
a life not ordinary.
(purchase the
issue to read the full article)
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|
Breed Profile: The Friesian |
The
Scythians: War, Horses, and Art of the Steppes Nomads
by
Lyne Raff
Editor/Publisher
At the time that it happened, the skill of riding represented an
unprecedented
leap forward for mankind. With a speed previously
unknown, a
whole new way of existence emerged; people once
accustomed
to village life, or to the unchanging patterns of life bordered
within the
hard-won rows of subsistence farms, found their horizons
opening like
an infinity before them. Thanks to the horse, Man could
now move quickly,
whenever and wherever he wished. And that
freedom gave
early riders not only a profound new mobility, but a bold
new attitude.
They were reborn from their previous lives as subsistence
farmers into
advanced--and quite infamous--rulers of their domain.
The age of the horsemen had begun.
(purchase the
issue to read the full article)
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|
Ancient Horse Cultures: The Scythians |
Maureen
Love Calvert
The
First Lady of American Equine Ceramics
by
Nancy Kelly
As far back as she can remember, the
only thing Maureen Love
wanted to
be was an artist. Her mother painted porcelain detail work,
and encouraged
Maureen to follow her dream. As a young girl, Maureen
recalls creating
a goat out of clay that she had dug from the backyard,
and her mother
kept it on the kitchen window sill on display. Some of her
early influences
came from the western art of Frederick Remington. She
loved to look
at the paintings of cowboys, horses, and American Indians
in many different
scenes and poses.
During High School, Maureen took every art class she possibly could,
while taking
just the bare minimum of the other classes to get her diploma.
She claims
she didn't enjoy the math classes, but was at her best in art.
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this issue |
|
Maureen Love Calvert |