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ISSUE 10: (Winter, 2010)
- Breed Profile: Przewalski's Horse
- Caisson Platoon, Arlington Cemetery
- Photographer Edyta Trojanska-Koch
- Artist Mark Langley
- Photographer Joerg Kraus
- and much more!
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Spirit Horse: Equus Przewalski by
Lyne Raff
Editor
The year is 1226 AD: Mongols are at war with the Tangut empire in
northeastern China. Ghengis Khan, surveying the landscape, sees
in the distance a group of strange-looking horses. They come
closer, and his own horse reacts in fear, throwing him to the ground. In
1630, an important Mongolian diplomat presents a wild horse as a gift
to the Manchurian Emperor. It is a 'takh', a 'spirit horse', fierce and
independent ghost of the steppes. One
hundred and twenty years later, in 1750, another Emperor of Manchuria
organizes a hunting party for royal sport. It was a chance to use
newfangled rifles, and the game they went after was wild horse: two
hundred were shot. For
the next few centuries, they were seen rarely, and warranted only two
scant mentions in published works. Like ghosts, the shy horses
had retreated into the landscape.
In
1878, world-famous explorer Colonel Nikolai Przewalski became ill
on an expedition to Asia, and decided to cut his trip short and return
temporarily to his home in Russia. While resting at the frontier
post on the Chinese-Russian border, the post's commissioner gave him
the skull and hide of a wild horse, shot by Kirghiz tribesmen southeast
of that location, as a gift. The Colonel, an avid horseman and
very interested in the physiology of horses, accepted the gift, but
secretly disbelieved the idea that the horse was actually 'wild'.
Upon his return to St. Petersburg, he took the hide and skull to
a friend at the Academy of Science for examination, and the results
surprised him: the remains were declared completely genuine. As
quickly as he could, Colonel Przewalski organized another expedition to
the same area. (purchase the
issue to read the full article)
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Breed Profile: Przewalski's Horse |
Highest Honor: The Caisson Platoon at Arlington Cemetery by
Lyne Raff
Editor
"Good morning, welcome to Fort Myer," Staff Sergeant Maskey says cheerfully. "Follow me." It
is 4:30 am on a Friday morning in early November, and unusually cold.
SSG Maskey leads the way into a brightly lit barn, where he and
about a dozen other soldiers have already been at work for half an
hour. The air sparks with busy energy and there is much to do
this morning--there are stalls to clean and horses to groom, saddles,
wagons, and hardware to polish, and literally hundreds of feet of
harness to inspect and to clean. And
then, after that, the men must prep their own uniforms, pressing their
blue wool dress jackets and polishing their boots and spurs to a mirror
shine. Eight
horse-drawn military funerals will be taking place in a few hours,
requiring the direct teamwork of dozens of people both on and off Fort
Myer Army Base. A master farrier will be on-site shortly,
examining each hoof; he will be watching the horses closely, checking
the condition of their special borium-studded shoes, which give extra
traction on paved surfaces. Sixteen horses and nearly twenty men
will be working out of this barn for the next few hours. Once in
the cemetery, they will divide into two teams, each handling four
ceremonies. Every one of the funerals, called 'missions', has
been meticulously planned to the minute on a large whiteboard hanging
from the stable wall, where each horse and soldier is marked by name in
his position for the day. To be a soldier here is an honor
posting; it is not easy to earn. These men are highly trained,
and they are completely dedicated to the day's task. There will
be no mistakes. (purchase the
issue to read the full article)
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Highest Honor: The Caisson Platoon at Arlington Cemetery |
Contemplation: The Art of Mark Langley by Lyne Raff Editor
Mark Langley did not begin his artistic career in animal portraiture;
he started by making a name for himself in the hyper-demanding fields
of architectural and transportation art.
But he quickly found
that the observational and technical skills needed to succeed there
aided him perfectly when he decided to try something new: an equine
portrait.
Trying the field of portraiture is a leap that lots of
technical artists make. But in Mark Langley's case, he managed
not only to translate the details of his subjects, he also recognized
each animal's sense of dignity and depth--and then made those aspects a
part of his work.
His drawings are portraits in every sense of
the word, and they are likenesses transcribed in intimate detail.
But they are something beyond photo-realism; they are
photo-realistic expressionism.
(purchase the
issue to read the full article)
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Contemplation: The Art of Mark Langley |
Mystical Powerful: The Photos of Joerg Krausby Lyne RaffEditor
Joerg Kraus is one of the new breed of equine photographers who is
turning the world of equine portraiture into cutting-edge art.
Working out of Geissen, Germany, he has travelled the globe to
photograph horses in Africa, Asia, and Europe.
His is an image
that is born of formal, high-fashion photography lineage, with its
aristocratic models posed against dramatic backgrounds. And yet,
his image is of a new, techno-lineage as well, made possible by the
ultra-sharp, medium format digital Hasselblad and carefully placed
artificial lighting. This is an artist with a complete
understanding of his light and equipment.
And somehow, through all of that technology, an artist's homage to a painter --Rembrandt-- still manages to come through. | 
Mystical Powerful: The Photos of Joerg Kraus |
A Natural Light: The photographs of Edyta Trojanska-Koch by Lyne Raff Editor
"Natural" is an important word to
Polish photographer Edyta Trojanska-Koch. Though she made her
initial mark as a photographer shooting the priceless Polish Arabians
of her native country's state studs, Edyta is enthusiastic about
photoing any horse, especially the 'everyday' horses. She sees
all horses as the same, noble creatures--whether they are priceless
purebreds or simple backyard ponies. Seeking to
capture the magic of sunlight on horses, she travels to every part of
her beautiful native country. As any photographer will tell you,
it is easy to take good shots in a pretty place. But what Edyta
Trojanska-Koch wants is to take photos that strike a chord in your
heart when you see them; what she wants is to take photos that make you
dream.
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