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The Horse Portrait: A History |
The Horse Portrait: A History by
Lyne Raff
Editor/Publisher
The horse: symbol of status in ancient cultures worldwide.
Primitive Man watched the horses that ran wild on the prehistoric
plains: he exalted them in paintings on the walls of caves, then caught
them to keep with him. Steppes nomads immortalized horses in
their art and jewelry. A man on horseback was the master of his
world, at a time when life was at the whim of such forces as the
weather, the successful harvest, or the mood of whatever powerful army
was nearby. He who had the horse had control... (purchase the
issue to read the full article) |
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  Above: Flight Without Wings, and Vision: the Pastels of Kim McElroy |

Chariots
of the Pharoahs: Horses of Ancient Egypt |
Chariots
of the Pharoahs: Horses of Ancient Egypt
by
Lyne Raff
Editor/Publisher
In our mind's eye, when we picture a War Horse, most people usually think
of the knights and their armored horses of medieval times. But it
was much earlier-nearly a thousand years-that the war horse had appeared
in battle. As far back as the 3rd to 2nd millennia B.C., equids had
already been drawing the battle wagons and early wheeled war vehicles of
the ancient world.
From the very beginning, a horse was an animal that represented prestige.
They were used as gifts between heads of state, and as key figures in religious
and social ceremonies. And, as soon as man began to recognize the
horse's usefulness, it became one of the most important prizes in the spoils
of war.
On many of the carved and painted surfaces on the walls of Egypt's tombs,
chariot horses sweep into battle. The horse of ancient Egypt was
primarily a chariot animal, rather than one to be ridden. Their strong,
arched necks, flagged tails, and proud profiles are unmistakable; even
a modern horseman can easily recognize these horses as predecessors of
today's Arabian and Barb horses...
(purchase the
issue to read the full article) |
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  Above: The Horse in Chinese Sculpture, and Tony Stromberg: Return to Freedom |
 Cavalia (these
images courtesy Cavalia and Frederic Chehu) |
Cavalia:
L'Amour et Le Respect
by
Shannon Southard
Senior
Staff writer
Love and Respect.
Not just mere technical terminology, but rather a mantra, essential components
in the partnership between human and horse. They are not vocabulary
words thrown 'round lightly, but the doctrine of a way of life chosen and
practiced daily, establishing a remarkable unbreakable link between man
and beast. It is a bond producing trust and mutual friendship twixt
the two, and a better, dare we say the best, way to bridge the gap with
adoration and communication, over brutish conquest and domination.
A glimmer of understanding seldom seen throughout time's long standing
connection of man and horse. Yet now, it flickers solid here before
us today through the dedication of Frederic Pignon and Magali Delgado,
the majesty of their cast of gorgeous equines--and for all of those who
believe...Cavalia.
You will have expectations. They will be surpassed.
(purchase
the issue to read the full article)
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The Scythians: War, Horse, and Art of the Steppes Nomads |
The Scythians: War, Horse, and Art of the Steppes Nomads by
Lyne Raff
Editor/Publisher
The mounted nomads of the steppes charged into infamy like no one else.
At the time that it happened, the skill of riding
represented an unprecedented leap forward for mankind. With a
speed previously unknown, a whole new way of existence emerged; people
once accustomed to village life, or to the unchanging patterns of life
bordered within the hard-won rows of subsistence farms, found their
horizons opening like an infinity before them. Thanks to the
horse, Man could now move quickly, whenever and wherever he wished.
And that freedom gave early riders not only a profound new
mobility, but a bold new attitude. They were reborn from their
previous lives as subsistence farmers into advanced--even
infamous--rulers of their domain. The age of the horsemen had begun. (purchase the
issue to read the full article) |
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